Bespoke sound for music and picture. A creative, audio-post and immersive-mixing environment built for demanding projects.
A workflow built for picture and modern delivery formats: multichannel mixing, spatialisation, picture monitoring and deliverables tailored to each destination.
Studio 2.0 is both a creative space and a production partner. We develop original music and sound design in-house while also supporting composers, creators and sound designers with multichannel mixing for their own projects. Specialised in film music, the studio can also provide music supervision on ambitious productions, from artistic direction through to final delivery.
Hermès
Azzaro
France TV
TF1
L’Oréal
Arte
ARD
EDF
Total
M6 Groupe
Enovos
Cactus
Festival de Cannes
Festival d’animation de Stuttgart
Festival d’Annecy
KiKA
Nestlé
ETF Securities
UNDP TV
Amazon Prime Video
Fashion Week
International Rescue Committee
Mandarine Gestion
Innéov
Laboratoires Vichy
POST Luxembourg
MOSL
Spuerkeess
Studio 2.0 is first and foremost a place dedicated to creation. Everything is designed to streamline workflows and meet the most demanding technical specifications, from theatrical release and television to VR, streaming and immersive formats. But the technology also knows when to disappear: the studio is built so you can create freely without having to think about technical constraints. You have an idea. Here, it has no limits.
The control room was designed without compromise in terms of acoustics and audio equipment. But creativity and productivity also depend on feeling comfortable in the space where you work. That is why Studio 2.0 was designed from the outset to stay connected to daylight: a precise, comfortable and bright environment created to support focus, inspiration and long working sessions.
Studio 2.0 is built around high-end hardware solutions drawn from the standards of the music and audiovisual industries. This configuration integrates naturally into large-scale productions, including international workflows. Preamplification, conversion, processing, control and networking are designed as one coherent system: the technology steps back and remains entirely at the service of the project, from production through to the final broadcast-ready master.
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Studio 2.0 adapts to the way you want to work: with us, remotely, independently, or through support built around your project.
A space dedicated to creativity and precision, designed to welcome artists, composers, directors and producers in professional working and listening conditions. Develop a project from A to Z, or come in only at the end of the process to listen, refine and approve the final details before release.
Nearly 90% of our major projects are completed remotely. Our workflow is designed to respond quickly to production constraints, especially when sound comes in at the very last stages. Smooth exchanges, fast revisions, precise control and broadcast-ready deliverables: we meet deadlines without compromising quality, through to full project approval.
Studio 2.0 can be hired without a sound engineer, so you can work freely with your own team and workflow. Studio onboarding and technical assistance remain available on request, allowing you to use the installation fully without losing time on technical setup.
Workflow, organisation, technical preparation, assistance or individual support can all be adapted to the project. When needed, bespoke training can also be arranged directly at Studio 2.0.
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Studio 2.0 was conceived as a true creative instrument: a place where technology steps out of the way so ideas can take centre stage, from recording through to projects ready for delivery.
The recording booth was designed with no compromise on acoustics or inspiration, with a large window opening onto the control room and the landscape outside, remote displays, and complete recording and editing control from different points. Patch points provide quick, direct access to the different preamps, while a Yamaha U3 upright piano and a custom backline complete the environment.
No compromise on acoustics: the studio comes to the venue to capture the sound as faithfully as possible, before editing, mixing and mastering are completed at Studio 2.0.
Every project is prepared upstream with genuine support: acoustics, microphone layout, track count, mobile control room, redundancy, production constraints and deliverables. The system is built around the music — never the other way round. Depending on the project, we can also prepare bespoke equipment configurations tailored to the ensemble, the venue, the track count and the production constraints.
Symphony orchestras, choirs, ensembles and chamber music: a recording chain designed to preserve timbre, dynamics and the natural depth of the room.
Concert halls, churches, heritage sites, outdoor or unusual spaces: the setup is adapted to the ensemble, the acoustics and the constraints of each location.
Vehicles, machines, materials, ambiences and objects: the Mobile Studio also builds original sound libraries for film, games, television and VR/XR.
The Mobile Studio is not simply equipment hire. Each recording is handled as a complete production with technical and artistic continuity from the location to the studio.
We discuss the artistic goal, ensemble, venue and constraints, then define the most relevant recording strategy.
State-of-the-art microphones and equipment, a venue-specific layout, rigorous monitoring and redundancy to protect every take.
Editing, stereo or multichannel mixing and mastering are completed in the controlled acoustics of Studio 2.0.
A mobile recording where the venue, microphone choices and placement are part of the interpretation. Editing, mixing and mastering are then completed at Studio 2.0.
Installations, mobile control rooms and recordings in concert halls, churches and performance spaces.
This video tour gives a broad view of the space and what it can do. It was filmed in 2023: the studio has evolved since then and several pieces of equipment now in use had not yet been installed.
Every Studio 2.0 photograph — from the current configuration to its evolution since 2017 — is gathered in this 2.0 mosaic. Click to open the full gallery.
A coherent professional setup designed for creativity, an efficient workflow and quality at every stage.
Studio 2.0 combines professional equipment into a carefully designed recording and mixing environment. Every technical choice supports the music and the project, from the first idea to the final master.
Studio 2.0 is surrounded by nature in Alsace Bossue, within the Northern Vosges Regional Natural Park — a quiet, inspiring environment within a UNESCO-designated biosphere reserve.
At the heart of the Grand Est region, the studio sits between Strasbourg, Nancy and Metz, close to the A4 Sarre-Union exit, with easy access from Luxembourg and Germany.
A SNCF train station and a local airfield are only a few kilometres away. We can pick you up and, on request, coordinate the main practical aspects of your stay so you can focus on the creative work.
An independent villa next to the studio can host working stays, with two large double bedrooms, private bathrooms and full comfort within a private 5-hectare wooded estate.
Upscale hotels, gîtes, furnished rentals, unusual accommodation and guest houses are also available just a few minutes away. Some offer private spa and sauna facilities, ideal for unwinding after a day in the studio.
From regional cuisine to fine dining, alongside friendly and affordable restaurants, there are several options near the studio to fit the pace and budget of the session.
Station or airfield transfers, accommodation, meals and practical organisation: we can help coordinate your residency or production stay and keep logistics out of the way.
Plan a residency / production stay →Studio rental, recording, immersive mixing, audio post, Mobile Studio or training: describe what you need and we will build the right workflow.